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Akshobhya Buddha Sand Mandala: Jangchub Choeling Nuns Bring Peace and Wisdom to Bloomington July 30, 2024 18:39
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Recently, a group of nuns from the Jangchub Choeling Nunnery in India visited TMBCC in Bloomington. This is their first tour to the U.S. They are raising funds for their nunnery as well as sharing aspects of Tibetan Buddhist culture along the way. They spent five days creating an elaborate Akshobhya Buddha sand mandala in the Kalachakra Hall. Akshobhya, which means unshakeable, is a Buddha whose blessings are associated with wisdom and understanding the true nature of reality.
The nuns started with an opening ceremony and blessing. Then, they carefully created the template for the design using compasses, rulers, and chalk-coated lines of twine.
Over the course of the next few days, they worked quietly, and they worked together, often in silence, each with a demeanor of focused, clear, and steady concentration. They were deliberate, they were mindful, they were measured, they were precise, and, most importantly, they were peaceful.
Prior to their visit, these nuns had trained in India for a full year to learn the skills necessary to create this beautiful sand mandala. This collective effort is a meditation practice in and of itself, and it requires unwavering concentration, focus, and precision.
They created this mandala with superfine, vibrantly colored sand, and they used tapered, tube-like funnels made of copper, called chak-purs, to apply the sand onto the template. They scratched thin metal rods against the ridged sides of these tubes, which created a vibration. This allowed the nuns to control the flow of the sand in a steady and controlled manner. It’s fascinating to watch, and even more soothing to hear. The sounds of the chak-purs remind me of cicadas singing their spiraling summer songs.
We had the opportunity to witness and share a beautiful practice of interconnection and interdependence, not only for the nuns who were creating this design, but for all the visitors who were able to observe the process as well.
Their practice is not performative, and it’s not meant to showcase or show off their artistic talents. There’s no place for ego in this meditative practice. Their intentions are clear, and their motivations are pure.
Day by day, layer by layer, the mandala took shape. Each symbol and color in the design has meaning. The nuns have studied the significance of every aspect of this design, and while creating it, they contemplate and meditate on the meaning throughout the process.
During their stay, I was able to visit the center a few times. One of those times was on a Sunday morning before the weekly Dharma teaching. I made a point to arrive early so I could walk to the Kalachakra Hall and observe them working. It was quiet, and there weren’t many visitors there at the time. The nuns were working steadily, and the cicada-like sounds of their chak-purs echoed softly throughout the building.
They had made significant progress since my last visit a few days before. Layers of bold, vibrant colors had covered most of the board. While they worked, I had time to sit and recite a few rounds of refuge ngondro mantras with my mala: “Nama Sanghaya, Nama Sanghaya, Nama Sanghaya, Nama Sanghaya…”
A mandala is a representation of everything in the universe. As the nuns carefully created their design, they also focused, contemplated, and offered blessings to everything in the universe as well.
Typically, after the mandala is complete, and after the closing ceremony, they scoop the sand into an urn and pour it into a body of water, sending with it all the blessings and messages of peace and compassion into the currents. Dissolving the mandala at the end is a reminder that nothing is permanent—even after all the dedication, study, time, and effort—nothing lasts forever—and clinging to anything is never helpful or fruitful.
Watching the creation of the mandala was a reminder that our intentions matter, that our efforts matter, and that collaborating with others is essential if we want to grow and cultivate peace.
Watching the dissolution of the sand mandala is an exercise in letting go—and allowing. It also underscores the importance of enjoying the creative process, and not clinging to the outcome.
The Jangchub Choeling nuns stayed at TMBCC for ten days. Then, they traveled to their next destination to begin the process again and create another mandala in another city. They will be touring the U.S. until early spring of 2025, and they will continue to spread peace, compassion, and beauty with every colorful grain of sand.
If they come to your town, please take some time to observe this practice for yourself and to support their efforts. You won’t regret it.
Below is the link to their website if you’re interested in sponsoring a nun or donating to their nunnery.
https://www.jangchubchoeling.org/
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When I taught English full-time, I was a big fan of the Transcendentalists. I enjoyed teaching the works of Ralph Waldo Emerson and Henry David Thoreau.
One of my favorite Thoreau quotes from Walden was, “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.”
Watching the nuns create this beautiful Akshobhya Buddha sand mandala made me realize that I didn’t need to run away into the woods to cultivate peace, and that living deliberately requires mindfulness, compassion, and sharp focus.
Thoreau lived at Walden Pond for two years, two months, and two days. His retreat was an experiment that led to the creation of a wonderful piece of literature—one that was created in solitude but was shared with the rest of the world.
Everything we have and do depends upon the skills and expertise of others, and we are foolish to think that anything we do is completely independent and isolated from others.
A meaningful life begins with a clear motivation—the intention to make the most of our precious human life—and moment by moment, day by day, we build our lives with all the textures and colors of our choosing—and share the lives we create with others before our own inevitable dissolution.
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Thank you for taking the time to listen or read this month’s blog offering. I hope the month of July has treated you well, and I hope August has even more blessings waiting for you. Please visit the Middle Moon Malas online collection. Each of these hand-knotted malas is a one-of-a-kind creation designed to inspire and support meaningful practice.